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DESCRIPTION: StereoXpansion first creates a MS stereo signal; the mono signal in the middle of the stereo field (M) is separated from the stereo information (S). Then this MS stereo signal is converted back to stereo with the option of manipulating the stereo information. --- version 1.0, Januari 2023 - initial version by Menno Knevel

DESCRIPTION: Mixer-channel-strip with 3 eq's. The X axis of the XY controller represents frequencies from low to high, the Y axis is the Q (feedback). CONTROLLERS: ON/OFF - bypass frequency - center frequency in peaking mode, corner frequency in shelving mode. gain - amount of boost or cut. A value less than 1 is a cut. A value greater than 1 is a boost. A value of 1 is a flat response. Q - Quality of the filter Dropdown List - low, high, bandpass, unity gain bandpass, notch, allpass and peak phase - invert phase of signal gain - total gain of effect pan - balance of left and right output signal --- version 1.0, Januari 2023 - Initial release

DESCRIPTION: This effect is meant for mono signal input only!! The goal of this effect is to give a mono sound some width and ambiance. (if the source is stereo, switch it to mono using the Xpan effect, available from BlueShare) This effect needs some extra impulses to work correctly. As it is, at the moment, impossible to append extra files to effects or instruments and upload these as a package to BlueShare, you have to download them seperately: https://github.com/tjingboem/impulses. Preset1, preset2 and preset3. Download, unzip and change the path in the Fluxy code so that Fluxy will find those files. Normal usage: 1 or more Mixerstrips, each producing a mono output, must get copies of the same Fluxy effect with the same ambiance but with different pan settings on each effect. Result: several mono signals appear to be playing together in the same room, instead of staying alone in their respective corners. CONTROLLERS: ON/OFF - bypass Impulse - 3 presets and 1 impulse of choice. (The 3 preset impulses are included) paritionSize - tweak for balance in speed and CPU load treble - boosts the treble. Compensates for sounds that are positioned in the rear. position mono signal - left/right panning and front/rear positioning --- version 1.1, January 2022 - changed panorama and distance sliders to XY position version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: Mixer-channel-strip with 3 eq's. CONTROLLERS: ON/OFF - bypass frequency - center frequency in peaking mode, corner frequency in shelving mode. gain - amount of boost or cut. A value less than 1 is a cut. A value greater than 1 is a boost. A value of 1 is a flat response. Q - Quality of the filter Dropdown List - bypass, Peaking, Low Shelving or High Shelving phase - invert phase of signal gain - total gain of effect pan - balance of left and right output signal --- version 1.0, Januari 2023 - Initial release by Author: Atte André Jensen (atte.dk)

DESCRIPTION: this plugin is meant to be put in the Master of the Mixer. It measures the perceived Loudness of the signals. The opcodes performs an analysis of input audio according to ITU-R BS.1770-4 recommendation. The outputs are Momentary, Integrated and Short-Term loudnesses. CONTROLLERS: see the help balloon when hovering over the controllers in the instrument. Help can be turned off by pressing the 'I' button next to the play bar. --- version 1.0, January 2022 - Initial release

DESCRIPTION: Envelopers imposes ADSR envelopes on the incoming signal. All controllers are automatable. Based on UDOs from Steven Yi: https://github.com/kunstmusik/libsyi/ CONTROLLERS: ON/OFF - bypass speed - frequency of imposed envelopes attack/decay/sustain/release - those parameters can be changed at k-rate mix - mix direct signal with effect --- version 1.01, july 2020 - added BSB information comments version 1.0, May 2020 - initial version by Menno Knevel

DESCRIPTION: a 10-band EQ equalizer, using the UDO from Steven Yi: https://github.com/kunstmusik/libsyi/blob/master/audaciouseq.udo that, in turn, is a Csound UDO implementation of Audacious' EQ: https://github.com/audacious-media-player/audacious/blob/master/src/libaudcore/equalizer.cc CONTROLLERS: please check the help balloons, that can be viewed when hoovering overthe BSB elements. --- version 1.0, October 2021 - initial version by Menno Knevel

DESCRIPTION: 4 simple equalizer sections, each with their own frequency range. Uses the opcode eqfil, a 2nd order tunable equalisation filter based on Regalia and Mitra design. The amplitude response for this filter will be flat (=1) for kgain=1. With kgain bigger than 1, there will be a peak at the centre frequency. CONTROLLERS: please check the help balloons, that can be viewed when hoovering overthe BSB elements. --- version 1.0, October 2021 - initial version by Menno Knevel

DESCRIPTION: the spectraloscils effect is using Victor Lazzarini's pvsadsyn. It resynthesizes using a fast oscillator-bank. Using the Increment knob, together with other setting, might result in an error. There is no protection for it (yet) but it does not blow up the computer either... --- version 1.1, September 2021 - now i rate knob are re-initialized version 1.0, September 2021 - initial version by Menno Knevel

DESCRIPTION: Doubles the incoming signal, with random option Flanging sounds are possible. It 'thickens' the incoming signal and can add some randomness in timing of the doubled signal. This creates some livelyness. Panning of the doubled signal can be set, so it can be used as a virtual stereo effect as well. --- version 1, August 2021 - initial version

DESCRIPTION: MultiTap contains 6 taps in the delay line. Delay Time can be set in milliseconds. The 6 delay taps are relative to the Delay Time. Can be used to stereophonize mono sounds by low delay settings. CONTROLLERS: ON/OFF - bypass max delay time - max delay time in ms delay% x 6 - percentage of max delay time gain x 6 - gain of every delay section pan x 6 - panning of every delay section shrink all delay time % - the total of ALL delays can be shrunk with one slider wet/dry - mix direct signal with effect feedback - amount of feedback for ALL delay lines, in mono --- version 1.3, April 2021 - added .001 sec to delay (was bug) version 1.22, July 2020 - added BSB information comments version 1.21, May 2020 - added comments on controllers version 1.2, April 2020: - added total percentage slider for delay time version 1.0, january 2019: - initial version by Menno Knevel - 6 x relative delay taps with gain intensity and panorama settings - 1 overall feedback

DESCRIPTION: loopit! consists of 3 looper units. When triggered, the incoming signal is sampled in 3 different looper units. This produces interesting patterns, using the timbres of the incoming stereo signal. CONTROLLERS: ON/OFF - bypass loop 1/2/3 - activate looper section 1, 2 , 3 trigger - when set to 1, the opcode starts recording until the loop memory is full. It then plays the looped sound until it is switched off again (ktrig = 0) looptime - loop duration in seconds pitch - pitch control (transposition ratio); negative values play the loop back in reverse loop - gain of each looper section direct - mix direct signal with effect --- version 1.33, December 2020 - changed volume of effect mix (lower) - if not triggerd, no direct signal is mixed in. version 1.32, July 2020 - added BSB information comments version 1.31, May 2020 - added comments on controllers version 1.3, November 2019 - changed mix direct/effect version 1.2, September 2019 - for mixing effect/direct, changed to only 1 direct signal gain version 1.1, May 2019 - for mixing effect/direct, changed to only 1 direct signal gain version 1.0, May 2019 - initial version by Menno Knevel - 3 independent looper units - each unit has a mix with incoming signal - time of loop can be retriggerd while playing

DESCRIPTION: Tremoloes is a simple changer of the amplitudes of the incoming signals in a repetitive way. Nonetheless, many interesting constructions can be made by adding this effect to 2 or 3 instruments, and setting them up so, that they become cool structures- reminding of grain synthesis. Imagine, one instrument comes up, the second one fades out, and all that in a rhythmic pattern.... CONTROLLERS: see the help balloon when hovering over the controllers in the instrument. Help can be turned off by pressing the 'I' button next to the play bar. --- version 1, December 2020 - initial version by Menno Knevel (based on Ring-modulate from Peiman Khosravi)

DESCRIPTION: The MASTEReffect is meant to be put on the Master output of the mixer. It keeps an eye on volume, removes DC and lowpasses the mix in order to prevent aliasing. It is a safeguard. Of course, they can all be switched on and off, but i keep them all on as long as i am in the composition fase; once the final mix is done, i check if there is any DC or too high frequencies or too loud volume. --- version 1.0, December 2020 - Initial release

DESCRIPTION: Grate 'scrapes' the incoming sound and applies irregular small amplitude changes to it. With low min and max frequency settings, it creates a wide stereo sound, with higher settings the scraping begins. CONTROLLERS: see the help balloon when hovering over the controllers in the instrument. Help can be turned off by pressing the 'I' button next to the play bar. --- version 1.1, December 2020 - added stereoizer, that creates stereo image for mono sound version 1.0, December 2020 - initial version

DESCRIPTION: uses the zdf filter opcodes, for lowpass, highpass and bandpass. Additional jitter is provided CONTROLLERS: see the help balloon when hovering over the controllers in the instrument. Help can be turned off by pressing the 'I' button next to the play bar. --- version 1.00, October 2020 - initial version

DESCRIPTION: A mono to stereo chorus inspired by the Dimension C Chorus. This is a simple chorus, which is known for its lack of abrasive pitch alteration. CONTROLLERS: depth & rate - The intensity of the effect, both rate and depth wet - The wet gain dry - The dry gain --- version 1.0, September 2020 - new GUI and small code adaptations by Menno Knevel - added BSB information comments - original UDO by Author: Jeanette C., 2020

a wrapper of ladspa plugin 4262 called AutoTalent, created by Tom Baran. All of the code but the FFT routines is licensed under GPL2. plugin has mono input, mono output. See: http://tombaran.info/autotalent.html The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect for Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: It's a real-time pitch correction plugin. You specify the notes that a singer is allowed to hit, and Autotalent makes sure that they do. You can also use Autotalent for more exotic effects, like the Cher / T-Pain effect, making your voice sound like a chiptune, adding artificial vibrato, or messing with your formants. Autotalent can also be used as a harmonizer that knows how to sing in the scale with you. Or, you can use Autotalent to change the scale of a melody between major and minor or to change the musical mode. CONTROLLERS: ON/OFF - bypass File Selector - set path for autotalent.so Concert A - value in Hz, the basis for the whole effect Fixed pitch - pitch (semitones) toward which pitch is pulled Pull to Fixed Pitch - degree to which pitch is pulled toward FIXED PITCH. 0 = use original pitch, 1: use FIXED PITCH A/Bb/C...Ab - notes in scale correction strength - strength of pitch correction correction smoothness - 0: abrupt transitions, 1: smooth transitions Pitch shift - # of notes by which output is shifted Outout Scale Rotate - # of notes by which the output scale is rotated (change scales) LFO depth/rate - gain and frequncy of LFO LFO square/sine/tri - 3 different LFO waveforms LFO symmetry - rise/fall of LFO wave LFO quantization - just that Formant Correction - 0: no, 1: yes for shifting formants Formant warp - change color of sound mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: Harmonizer, based upon the code from the Csound Book p.466, instr. 2209 - This is a stereo version. - switch between 12 tone division or free CONTROLLERS: ON/OFF - bypass delay time - delay time needed for analysis of incoming signal. feedback - feedback of input signal LFO - LFO using a sine wave switch - choose between free pitch or 12-tone mode pitch - free adjustable pitch semitone - 12-tones in an octave mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1, february 2019 - initial version by Menno Knevel

DESCRIPTION: stereo harmonizer, based on harmon4, with up to 2 x voices. Can be mixed with direct signal. CONTROLLERS: ON/OFF - bypass update - pitch analyze update: length of period, in seconds, that outputs are updated treshold - amplitude, expressed in decibels, necessary for the pitch to be detected detection low/high - range in which pitch is detected frequency 1/2/3/4 - the 1st, 2nd, 3th, 4th generated frequency mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, 2019 - initial version by Menno Knevel

DESCRIPTION: The VoxXtended has 2 methods to vocode the incoming sound. 'method Q' uses 4th order butteworth filters and 'method pvs' uses the pvsvoc opcode, both with a distintive sound. CONTROLLERS: ON/OFF - bypass Dropdown List - switch between Method 1:Q or Method 2:pvs. 2 totally different approaches to vocoding the incoming signal METHOD 1:Q (traditional vocoding) freq limits - sets boundaries to frequencies of the filters Q - Quality of filters bands - # of bands volume - gain of effect swap source - switch between IR or incoming signal METHOD 2:pvs depth - depth of effect, affecting how much of the frequencies will be taken from the second signal gain - gain boost/attenuation applied to the output coefs - number of cepstrum coefs used in spectral envelope estimation overlap - The distance in samples (?hop size?) between overlapping analysis frames size - The FFT size in samples swap source - switch between IR or incoming signal EXCITER or modulator SIGNAL fine/coarse frequency - fine and coarse tuning of modulator frequency Dropdown List - 5 different waveforms for modulator, where the 5th is the Sample File Selector - choose Sample to modulate/excite incoming signal start sample - skip in Sample loop start/end - set start and end loop points pitch - set pitch of Sample --- version 1.12, July 2020 - added BSB information comments version 1.11, May 2020 - added comments on controllers version 1.1, february 2019 - now works without a soundfile - some GUI clearing up - all stereo now version 1.0, january 2018 - initial version by Menno Knevel - uses same exciter signal block for the 2 methods - a soundfile must be loaded - method Q uses UDO from Victor Lazzarini - when using a soundfile as exciter, option to change loop start and end while playing

DESCRIPTION: This effect transforms a mono or stereo signal to a mono one- and then tries to stereoize it. The goal of this effect is to give a mono sound some width and ambiance. Use: 1 or more Mixerstrips, each producing a mono output, must get copies of the same Floxy effect. The panning can be done in each separate effect. Result: several mono signals appear to be playing together in the same room, instead of staying alone in their respective corners. CONTROLLERS: ON/OFF - bypass depth - depth of peak/notch gain of all filters combined mix - mix direct signal with effect pan X - pan one channel pan Y - pan the other channel flip channels - flip output channels --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1, February 2020 - initial version by Menno Knevel

DESCRIPTION: This is a stereoizer method from Miller Puckette. In all its simplicity, the result is that frequency bands will be panned left and right alternately. The size of the frequency bands are determined by the delay time like this: 1000/Bw = Dt. E.g. a delay time of 5 ms gives alternating frequency bands every 200 Hz. It is also mono compatible, if you collapse the stereo track to mono, the effect will cancel itself out. CONTROLLERS: ON/OFF - bypass delay - delay the signal a few ms amount - mix direct signal and delayed signal --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, May 2020 - initial version by Menno Knevel (Original code idea from Miller Puckette)

DESCRIPTION: This is a wrapper for the hilbert2 opcode. hilbert2 has a linear frequency response. Given that it employs a streaming algorithm, a delay of fftsize samples will be imposed between input and output. CONTROLLERS: ON/OFF - bypass Mix - mix direct signal with effect --- version 1.01, July 2020 - added BSB information comments version 1.0, May 2020 - initial version by Menno Knevel

DESCRIPTION: small tool - but very handy - that uses the opcode pan2. pan2 offers 4 different ways of panning solutions - see manual. The incoming signal can be either mono or stereo. CONTROLLERS: ON/OFF - bypass combine to mono - If the signal is stereo, it can be made a mono one. panning - pan the mono signal mode - pan the mono signal according to different panning laws swap Left/Right channel - exactly that MS stereo - use the MS stereo formula on the stereo signal MS Rotate - the angle of rotation in degrees, usually in the range of -45 to +45. Negative values result in a rotation rightward. Positive values rotate leftward. Left/Right - output gain for Left and Right channel --- version 1.22, July 2020 - added BSB information comments version 1.21, May 2020 - added comments on controllers version 1.2, February 2019 - included MS stereo option for alternative panning handling, using the UDO from http://www.csounds.com/udo/displayOpcode.php?opcode_id=45, created by Joseph Anderson and Matthew Ingalls version 1.1, February 2019 - added stereo option with swap channels - added channel gain version 1, november 2017 - mixes the left and right signal so it can be panned in a stereo image (by Menno Knevel)

DESCRIPTION: Solina Chorus, based on Solina String Ensemble Chorus Module based on: J. Haible: Triple Chorus http://jhaible.com/legacy/triple_chorus/triple_chorus.html Hugo Portillo: Solina-V String Ensemble http://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/4525/ Parabola tabled shape borrowed from Iain McCurdy delayStereoChorus.csd: http://iainmccurdy.org/CsoundRealtimeExamples/Delays/delayStereoChorus.csd Author: Steven Yi Date: 2016.05.22 CONTROLLERS: ON/OFF - bypass freq1/2 - frequency 1 and 2 of LFOs amp1/2 - amount of gain of the LFOs stereo - switch to mono or stereo mix - mix direct signal with effect --- version 1.01, July 2020 - added BSB information comments version 1.0, Juin 2020 - initial version by Menno Knevel - slightly adapted code from UDOs by Steven Yi (2016) and tgrey (2016). tgrey added a stereo option.

DESCRIPTION: A stereo chorus effect CONTROLLERS: ON/OFF - bypass rate - rate control of the lfo of the effect *NOT IN HERTZ* (range 0 to 1) depth - depth of the lfo of the effect (range 0 to 1) width - width of stereo widening (range 0 to 1) mix - mix direct signal with effect --- version 1.01, July 2020 - added BSB information comments version 1.0, Juin 2020 - initial version by Menno Knevel - slightly adapted code using a UDO by Iain McCurdy (2012, http://iainmccurdy.org/csound.html)

DESCRIPTION: Solina Chorus, based on Solina String Ensemble Chorus Module based on: J. Haible: Triple Chorus http://jhaible.com/legacy/triple_chorus/triple_chorus.html Hugo Portillo: Solina-V String Ensemble http://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/4525/ Parabola tabled shape borrowed from Iain McCurdy delayStereoChorus.csd: http://iainmccurdy.org/CsoundRealtimeExamples/Delays/delayStereoChorus.csd Author: Steven Yi Date: 2016.05.22 CONTROLLERS: ON/OFF - bypass freq1/2 - frequency 1 and 2 of LFOs amp1/2 - amount of gain of the LFOs mix - mix direct signal with effect --- version 1.01, July 2020 - added BSB information comments version 1.0, Juin 2020 - initial version by Menno Knevel - slightly adapted code from UDOs by Steven Yi (2016)

a wrapper of ladspa plugin 313371 called LEET chorus1, created by Dan Lyons - Based on MCP Chorus by F. Adriaensen. Licensed under GPL v2+. plugin has stereo input and stereo output. The DSSI opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: These two plugins are based on a CSound orchestra file by Sean Costello. There are two low frequency oscillators, each having three outputs that are 120 degrees apart in phase. The summed outputs modulate three delay lines. CONTROLLERS: ON/OFF - bypass File Selector - set path for LEET_chorus.so Delay - delay in ms Mod Frequency 1/2 - set frequencies for LFOs Mod Amplitude 1/2 - set amplitude(= depth) for LFOs --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: BrickLimit is a simple 'brick-wall' limiter, developped in Cabbage by Iain McCurdy (2016). A small delay is used; this acts as a look-ahead feature. This is an implementation as a blue effect, and some values are slightly adapted for use within blue. CONTROLLERS: ON/OFF - bypass Threshold - dB threshold below above which signals will be aggressively limited Smoothing - response of the amplitude follower. Higher values result in a slower, but possibly smoother, response Delay - delay applied to the input sound before it is limited (the tracked signal is always undelayed) This can be useful for compensating for a limiter than is not responding fast enough to sudden dynamic transients Gain - Make up gain. Useful for compensating for gain loss. --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, April 2020 - initial version by Menno Knevel. Original code largely developped in Cabbage by Iain McCurdy (2016)

DESCRIPTION: The BasicLimit uses the 'limit' opcode- a quick and easy way to prevent signals from becoming too huge and destroy ears and/or speakers. Some distortion is produced when signals are huge and the effect is processing them, and if not wanted, try a different setting by moving the Mixer fader to a lower setting, or adjust the + and - of the incoming signal in BasicLimit. CONTROLLERS: ON/OFF - bypass + signal - limits the positive portion of the incoming signal 0 - 1 - signal - limits the negative portion of the incoming signal -1 - 0 --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1, April 2020 - initial version by Menno Knevel

The opcode jsfx is not part of the official Csound ditribution but can be found here: https://github.com/csound-plugins/csound-plugins (The Blue effect is grey to reflect the status) Please build the plugins yourself in order to use this effect! This plugin uses an effect from LOSER, that can be found in the REAPER effects library (SP1LimiterJS). Load this effect in order to use the limiter. DESCRIPTION: simple limiter CONTROLLERS: ON/OFF - bypass File Selector - select loser/SP1LimiterJS effect from Reaper directory Treshold - treshold in dB, -20 to 0 --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, Octobre 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 1515018290 called ZaMaximX2, created by Damien Zammit. Copyright: GPL v2+. plugin has stereo inputs, stereo outputs. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: this acts as a brickwall limiter for mastering in its default state, but can also be tweaked to raise the average level as a stereo maximizer without ever clipping. Sounds musical even with rough treatment. (Based on DSP found in a DAFX?02 paper). CONTROLLERS: ON/OFF - bypass File Selector - set path for ZaMaximX2-ladspa.so Release - The longer the release time, the less low frequency distortions Output Ceiling - the limit in dB Treshold - sets the lowest decibel level that will be allowed through --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 1913 called Fast Lookahead limiter, created by Steve Harris. Licensed under GPL. plugin has stereo inputs, stereo output. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: This is a limiter with an attack time of 5ms. It adds just over 5ms of lantecy to the input signal, but it guatantees that there will be no signals over the limit, and tries to get the minimum ammount of distortion. Input gain (dB) CONTROLLERS: ON/OFF - bypass File Selector - set path for fast_lookahead_limiter_1913.so Input gain - adjust input gain Limit - limits the signal, in dB Release Time - The longer the release time, the less low frequency distortions --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: The Screamer effect is designed to add frequency band limited distortion to the incoming signal. Resonance can be set to emphasize the cuttoff frequency. Result is a 'screaming' sound added to a quiet or dull source, to provide 'a body'. SIGNAL IN ---> FILTER WITH Q ---> DISTORTION ---> SIGNAL OUT CONTROLLERS: ON/OFF - bypass cutoff - filter cutoff frequency Q - filter Quality value power - the amount of the shaping effect applied to the input; equal to the power that the input signal is raised low/band/hi - gain for lowpass, bandpass and highpass filters mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, Octobre 2019 - initial version

The opcode diode_ringmod is not part of the official Csound ditribution, but is a Csound-plugin. It can be found here: https://github.com/csound-plugins/csound-plugins (The Blue effect is grey to reflect the status) Please build the plugins yourself in order to use this effect! DESCRIPTION: diode_ringmod is a ring modulator with optional non-linearities. It implements a built-in sinusoidal carrier signal. The carrier is passed through a diode simulation prior to being multiplied with the input. This signal passes through a feedback stage. CONTROLLERS: ON/OFF - bypass Frequency - the carrier's frequency (a sine wave) Feedback - the amount of feedback Linearity - the amount of non linearities diode - if on, the carrier is passed through a diode rectification stage mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, September 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 1220 called Harmonic generator, created by Steve Harris. Copyright: The GNU General Public Licence. plugin has mono inputs, mono outputs. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: Allows you to add harmonics and remove the fundamental from any audio signal. CONTROLLERS: ON/OFF - bypass File Selector - set path for harmonic_gen_1220.so Fundamental - The amplitude of the fundamental of the signal, reduce it to 0 to remove the base signal altogether, or -1 to phase invert it 2/3...10th harmonic - The 2/3...10th harmonic, its frequency is 2/3...10 times the frequency of the fundamental --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 2544 called NoisifierS, created by Artemiy I. Pavlov. Copyright: "(c)2005 SineShine" plugin has stereo inputs, stereo outputs. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: This effect produces amplitude modulation to the input signal using a variable noise source (which works exactly like the Variable Noise generator in this plugin set). Very useful for creating various noisy/shadow sounds. CONTROLLERS: ON/OFF - bypass Noise Type - 1 = hold, 2 = shot Noise density - 1 = zero (white noise), 0 = very stepped (digital or rarefied shot noise) Balance - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers - improved Noise Type handling version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: RingXtended is an effect that uses 2 methods for "carrying" the incoming signal (modulator): the Julian Parker ringmodulation (implementation in a UDO by Steven Yi) and the "usual" multiplication with a wave. I call it Xtended because i wanted several ways to ringmodulate and "mangle" the incoming signal. CONTROLLERS: ON/OFF - bypass ringmethod - Dropdown List to choose Julian Parker (more distortion) or Simple Multiplication method waveform - sine, saw, square, pulse wave or soundfile wave DC offset - can give extar effect sometime by moving the offset of the signal filter - simple lowpass filter phase - gives mono signals some stereo depth wet/dry - gain of effect/direct signal fine/coarse frequency - set fine/coarse frequency of carrier wave Soundfile pitch - set pitch of soundfile Soundfile start sample - start position in soundfile Soundfile loop start - just that Soundfile loop end - just that --- version 1.42, july 2020 - added BSB information comments version 1.41, May 2020 - added comments on controllers version 1.4 beta, April 2019 - spatialize not to 1 but .95 (because 0 = 1) - stereo when stereo soundfile is added version 1.3, February 2019 - added on/off button version 1.2, February 2019 - stereo version - added phaseknob for right channel to spatialize a mono sound version 1.1, February 2018 - added warning when no or invalid impulse sound is used - if no or incorrect impulse, then the effect is bypassed version 1, november 2017 - initial version by Menno Knevel - uses 4 waveforms to carry the incoming signal: sine, saw, square, pulse and soundfile - the soundfile modulation option is done by a looping soundfile with pitch control - a lowpass filter for the carrier signal to filter out some of the harmonics - option to mix dry/wet signal - 2 faders for optimizing the frequency of sine, saw, square or pulse wave - offset option to adjust the amount of sidebands

DESCRIPTION: uses the exciter opcode. Filtered distortion to add brilliance to a signal. Intended for a monophone sound only, to give it more presence in the total mix. CONTROLLERS: ON/OFF - bypass frequency - the lower end of the harmonics created ceiling - the upper end of the harmonics created harmonics - amount of harmonics blend - blend between 2nd and 3rd order harmonics dry - gain of the incoming signal wet - gain of effect only compare - a second bypass to quickly compare the result with the incoming signal --- version 1.22, July 2020 - added BSB information comments version 1.21, May 2020 - added comments on controllers version 1.2, january 2019 - added on/off button version 1.1, january 2018 - added compare fuction to quickly compare the incoming signal with the effect version 1, november 2017 - one fader for dry signal, one fader for mixing in the exciter

DESCRIPTION: This is a simple sharp cutoff filter, that can be used to prevent aliasing produced by the instrument, getting in the final mix CONTROLLERS: ON/OFF - bypass cutoff frequency - cutoff frequency for filter --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, September 2019 - initial version by Menno Knevel

DESCRIPTION: a port for Blue effects, originally written as a UDO by Iain McCurdy, 2012. The filters imitate the 5 vowels A, E, I, U and O - giving the incoming stereo signal a voice :) CONTROLLERS: ON/OFF - bypass A, E, I, U, O - formant band approahing those vowels characteristcs Drowpdown List - Bass, Tenor, Counter Tenor, Alto, Soprano bandwith - Bandwidth of the bandpass and bandreject filters mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, JulY 2019 - initial version adapted for blue by Menno Knevel, originally written as a UDO by Iain McCurdy, 2012.

DESCRIPTION: 3 fofilters parallel, as tp provide the instrument a body. Based on the fofilter opcode. Fofilter generates a stream of overlapping sinewave grains, when fed with a pulse train. CONTROLLERS: ON/OFF - bypass frequency 1,2,3 - filter centre frequency attack/decay - impulse response attack and decay time in secsonds mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1, July 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 4300 called Formant Filter (CR vowel), created by Dave Robillard. Copyright: GPL. plugin has mono input, mono output. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: formant filter. CONTROLLERS: ON/OFF - bypass File Selector - set path for formant_filter_4300.so Vowel - move through the vowels A, E, I, O and U --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: rezzzy adds 3 resonances to the incoming signal, thus giving it a body. 1,2 or 3 resonances can be mixed with the original signal. CONTROLLERS: ON/OFF - bypass cutoff - filter cut-off frequency in Hz resonance - amount of resonance gain - amount of gain Dropdown List - lowpass or highpass filter mix - mix direct signal with effect --- version 1.03, July 2020 - added BSB information comments version 1.02, May 2020 - redesign GUI version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: A filter with the 4 different outputs of the statevar opcode, as a plugin. The oversampling is somewhat higher (10x) instead of the "standard" 3x, allowing for higher resonance settings for the filters. The filters are: lowpass, highpass, bandreject and bandpass. The different filter outputs can be mixed by the XY controller. CONTROLLERS: ON/OFF - bypass mixing - by moving the XY controller, the gain of lowpass, bandpass, highpass and bandreject can be set Quality - the feedback (quality) amount of the filters center frequency - set center frequency of filters --- version 1.01, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, decembre 2018 - initial version by Menno Knevel

DESCRIPTION: cutit! chops the incoming signal into bits. It is a wrapper of the bbcut opcode but the values can be changed while playing. CONTROLLERS: ON/OFF - bypass beats per sec. - Tempo to cut at, in beats per second subdivision - Subdivisions unit, for a bar. So 8 is eighth notes (of a 4/4 bar) barlength - How many beats per bar. Set to 4 for default 4/4 bar behaviour phrasebars - The output cuts are generated in phrases, each phrase is up to iphrasebars long # repeats - in normal use the algorithm would allow up to one additional repeat of a given cut at a time. This parameter allows that to be changed. Value 1 is normal- up to one extra repeat. 0 would avoid repeating, and you would always get back the original source except for enveloping and stuttering. Dropdown List - envelope of cuts, ie. exponential or rectangular mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers Version 1.0, July 2019 - initial version by Menno Knevel

DESCRIPTION: Code from Steven Yi, adapted (and some values extended) as a Blue effect by Menno Knevel Reference: https://kunstmusik.com/2018/08/21/shimmer-reverb/ CONTROLLERS: ON/OFF - bypass ratio - scaling ratio delay time - delay time in ms delay feedback - delay feedback level reverb feedback - reverb feedback level reverb depth - amount of reverb reverb colour - cutoff frequency of simple first order lowpass filters Mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, 2016 - initial version, using code by Steven Yi, now a blue effect by Menno Knevel

a wrapper of ladspa plugin 1423 called Plate reverb, created by Steve Harris. Copyright: The GNU General Public Licence. plugin has mono input, stereo outputs. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: A physical model of a steel plate reverb.Based on Josep Comajuncosas' gong model, it uses 8 linear waveguides to model the plate. CONTROLLERS: ON/OFF - bypass File Selector - set path for plate_1423.so Reverb Time - reverb time in seconds Damping - cutoff frequency of filter Dry/wet - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 1950, called Stereo Reverb, created by Fons Adriaensen. Copyright: GNU GENERAL PUBLIC LICENSE, Version 3, 29 June 2007 Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/> plugin has stereo inputs, stereo outputs. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: stereo reverberation CONTROLLERS: ON/OFF - bypass File Selector - set path for g2reverb.so room - set dimension for room reverb time - reverb time in seconds input BW - filter the incoming signal dry sound - direct signal damping - cutoff frequency reflections - number of reflections in dB tail - gain of reflections in dB --- version 1.01, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 3701 called zita-rev1, created by Fons Adriaensen. Copyright: GNU GENERAL PUBLIC LICENSE, Version 3, 29 June 2007 Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/> plugin has stereo inputs, stereo outputs. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: FDN + Schroeder reverberator CONTROLLERS: ON/OFF - bypass File Selector - set path for zita-reverbs.so delay - A delay of 20 to 100 ms operating on the 'wet' signal Xover - ?? RTlow/RTmid - The reverb time can be set at low and mid frequencies in the range of 1 to 8 seconds. The range affected by the 'Low' control is determined by the frequency setting to the left of it. damping - cutoff frequency of filter.At high frequencies the reverb time will decrease, this is controlled by the 'HF damping' control. F1-freq/F1-gain - First parametric filter sections can be used to change the character of the reverb F1-freq/F1-gain - second parametric filter mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - intial version, GUI by Menno Knevel

DESCRIPTION: Convolution Effect using pconvolve opcode by Matt Ingalls The code for this effect is based on code by Matt Ingalls found in the Csound Manual; please see the manual for more information regarding pconvolve. Supports mono or stereo Impulse Response files. CONTROLLERS: ON/OFF - bypass File Selector - import an impulse response partisionsize - the size in samples of each partition of the impulse file wet volume - gain of effect ER - Early Reflection. The effect is delayed in time Dry/Wet - mix direct signal with effect Equalizer - on/off for equalizer section high - set frequency and gain for highest frequencies mid/bass - gain for fixed mid and bass frequency gain --- version 1.22, July 2020 - added BSB information comments version 1.21, May 2020 - added comments on controllers version 1.2, February 2018 - added warning when no or invalid impulse sound is used - if no or incorrect impulse, then the effect is bypassed version 1.1, September 2017 - latest GUI (Blue 2.7.0 or greater) version 1.0, februari 2017 - initial version by Menno Knevel - Mix wet/dry fader can be moved while playing - added wet volume to be set in order to prevent distortion of Impulse Response file - added 3 way equalizer to spice up the Impulse Response file - added Early Reflection

DESCRIPTION: This effect is based on the ftconv opcode example from the FLOSS manual. It gives you full control over the Impulse Response (IR). I call this ftConvXtended because some extra effects are added to, well, the effect. Note that using a big sample as an impulse will be heavy on CPU. CONTROLLERS: ON/OFF - bypass File Selector - import an impulse response length/skip/volume - controls the length of the IR, skips into the IR and gain of IR reverse - reverses the IR blur/blur2 - 2 methods of randomizing the IR values a bit partisionsize - the size in samples of each partition of the impulse file delay direct signal - direct signal is delayed in time Early Reflection - The effect is delayed in time mix direct/effect - mix direct signal with effect Equalizer - on/off for equalizer section Boost high - switch to boost treble and reduce bass high - set frequency and gain for highest frequencies mid/bass - gain for fixed mid and bass frequency gain --- version 1.22, July 2020 - added BSB information comments version 1.21, May 2020 - added comments on controllers version 1.2, April 2019 - corrected error in Reverse, Blur and Blur2 - removed partitionsize (leftover from PConvXtended) version 1.1, February 2018 - added warning when no or invalid impulse sound is used - if no or incorrect impulse, then the effect is bypassed version 1.0, September 2017 - initial version by Menno Knevel - latest GUI (Blue 2.7.0 or greater) - equalizer with on/off switch - high boost filter to compensate treble loss when convolving - Early Reflection (ER), as well as the dry signal can be moved in time - reverse option for the Impulse - blur and blur2 option - option to change the length of the Impulse - option to skip some beginning of the Impulse

Using extreme settings can be demanding for CPU load!! DESCRIPTION: The paulstretch opcode is a lightweight implementation of the PaulStretch time-stretching algorithm by Nasca Octavian Paul. It is ideal for timestretching a signal by very large amounts. Large settings for the table buffer results into the well know massive Paulstretch sound, that lasts well beyond the incoming signal's length. The stretch factor is a scaling factor of the Object, so if an Object = 5, the stretch factor = 5, the total of stretch and smear will have a total length of 25. CONTROLLERS: ON/OFF - bypass stretch - Stretch factor in seconds. The value scales/stretches the incoming signal window size capture - take in humps of the incoming signal, in seconds fill table - choose table size pitch - multiplies the pitch, 1 = neutral pitch effect - gain of the effect direct - gain of direct signal equalizer on/off - switch for equalizer high - sets frequency high pass and boost for that frequency mid - amount of gain for mid range frequencies bass - amount of gain for low end range --- version 1.01, July 2020 - added BSB information comments version 1.0, June 2020 - initial version by Menno Knevel

DESCRIPTION: cutitTWO! chops the incoming signal into bits. It is based upon the bbcutm and bbcuts opcode but the values can be changed while playing. cutitTWO! has 2 independent sections for complex pattern creations. There is a seperate checkbox for the 2nd cutter. CONTROLLERS: ON/OFF - bypass beats per sec. - Tempo to cut at, in beats per second subdivision - Subdivisions unit, for a bar. So 8 is eighth notes (of a 4/4 bar) barlength - How many beats per bar. Set to 4 for default 4/4 bar behaviour phrasebars - The output cuts are generated in phrases, each phrase is up to iphrasebars long # repeats - in normal use the algorithm would allow up to one additional repeat of a given cut at a time. This parameter allows that to be changed. Value 1 is normal- up to one extra repeat. 0 would avoid repeating, and you would always get back the original source except for enveloping and stuttering. Dropdown List - envelope of cuts, ie. exponential or rectangular stereo - mono uses 2 independent effects, while stereo work on both channels 2 Checkbox - activate second cutter mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers Version 1.0, July 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 2154 called Tap Reflector, created by Tom Szilagyi. Licensed under GNU General Public License, version 2. plugin has mono input, mono output. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: This plugin creates a psychedelic reverse audio effect. Overlapping time intervals of incoming samples are treated as blocks called 'fragments'. Each fragment is reversed in time, and faded in and out while played back to the output, hence creating a nearly constant signal level with the mixture resembling a normal reverse-played track -- with the difference that the audio actually progresses forward, only pieces of it are reversed. CONTROLLERS: ON/OFF - bypass File Selector - set path for tap_reflector.so Fragment Length - length in ms Dry Level - amount of direct signal in dB RT-low - level of effect in dB --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

Using extreme settings can be demanding for CPU load!! DESCRIPTION: The paulstretch opcode is a lightweight implementation of the PaulStretch time-stretching algorithm by Nasca Octavian Paul. It is ideal for timestretching a signal by very large amounts. Large settings for the table buffer results into the well know massive Paulstretch sound, that lasts well beyond the incoming signal's length. The stretch factor is a scaling factor of the Object, so if an Object = 5, the stretch factor = 5, the total of stretch and smear will have a total length of 25. CONTROLLERS: ON/OFF - bypass duration - Stretch factor in seconds. The value scales/stretches the incoming signal window size capture - take in humps of the incoming signal, in seconds fill table - choose table size pitch - multiplies the pitch, 1 = neutral pitch effect - gain of the effect direct - gain of direct signal equalizer on/off - switch for equalizer high - sets frequency high pass and boost for that frequency mid - amount of gain for mid range frequencies bass - amount of gain for low end range --- version 1.0, June 2020 - initial version by Menno Knevel

DESCRIPTION: Pulsator, based upon the wavset opcode, takes in the sound and transforms it into repetative cycles or "pulses". CONTROLLERS: ON/OFF - bypass repetitions L/R - the number of times the cycle is repeated for Left and Right channel panning L/R - panning for Left and Right channel wet/dry - mix direct signal with effect --- version 1.02, June 2020 - small code correction version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: 2 instances of the wguide2 opcode is implemented in parallel. It provides the incoming signal with 'air' or 'breathe'. stereo in, stereo out. CONTROLLERS: ON/OFF - bypass fequency 1/2 - the frequency (i.e. the inverse of delay time) filter 1/2 - the filter cutoff frequency in Hz feedb - the feedback factor mix - mix direct signal with effect --- version 1.11, May 2020 - added comments on controllers version 1.1, April 2020 - coding improved, now stereo version 1.0, July 2019 - initial version by Menno Knevel

DESCRIPTION: sound is going through 5 spring-mass systems (mode opcode) and is 'reverberating' on the frequency you set. (Combined with the dry signal,) it produces a resonant body to the sound. CONTROLLERS: ON/OFF - bypass gain - gain for input signal Q - Quality of filter frequency - resonant frequency of the filter dry - direct signal wet - wet (effect) signal --- version 1.11, May 2020 - added comments on controllers version 1.1, february 2019 - set mode ringing in stereo panning version 1, december 2017 - initial version by Menno Knevel - 5 springs to 'color' the incoming sound - wet/dry mixing - comparison switch to quickly check the effect against the direct signal

EFFECT TO BE USED WITH COMMANDLINE -t x (where x = bpm)!! DESCRIPTION: chops up the incoming signal, creating a pulsating effect. CONTROLLERS: ON/OFF - bypass Nr. Bars - length of bar Pattern 1/2 - patterns in gates Smooth - Declick - change attack time --- version 1.11, May 20202 - added comments on controllers version 1.1, 2017 - new GUI and small code adaptations by Menno Knevel version 1.0, ? - initial version by ?

DESCRIPTION: Tremors is inspired by the VRingMod effect from bucket_brigade. But it is more focused on forcing amplitude patterns upon the incoming signal, but not going into the ringmodulation range (>20 Hz). It combines 3 tremolo units, imposing complex rhythmic pattern on the incoming signal. CONTROLLERS: ON/OFF - bypass frequency - frequency of main LFO frequency1/2 - frequency of the 2 LFOs that impose on the main LFO Dropdown List - 5 different waveforms for LFO depth - mix direct signal with effect --- version 1.11, May 2020 - added comments on controllers version 1.1, Octobre 2019 - retriggering the waveforms was not functional. This has been corrected version 1, July 2019 - initial version by Menno Knevel, after the VRingMod effect from bucket_brigade

this plugin has been made with 3rd party code and makes use of the Csound jsfx opcodes, that can be downloaded and installed from: https://github.com/csound-plugins/csound-plugins. These Csound plugins are created by moguillansky. JS effects can be downloaded from: https://stash.reaper.fm/tag/JS-Effects Set path to where your "4BandEQ" JS effect is located. DESCRIPTION: 4 band equalizer. CONTROLLERS: ON/OFF - bypass File Selector - select loser/4BandEQ effect from Reaper directory Low, MId, High Mid, High - frequency band Frequency - set center frequency for EQ Output - output gain --- version 1.01, May 2020 - added comments on controllers version 1.0, September 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 4262 called ZamGEQ31, created by Damien Zammit. Licensed under GPL v2+. plugin has mono input, mono output. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: 31 band mono graphic equaliser, good for eq of live spaces, removing unwanted noise from a track etc. CONTROLLERS: ON/OFF - bypass File Selector - select ladspa effect ZamGEQ31-ladspa.so 32Hz...20801Hz - small frequency bands --- version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: blue port of the heterodyning FM version of Victor Lazzarini's Adaptive FM Synthesis (AdFM) CONTROLLERS: ON/OFF - bypass fc:fm - ratio frequency carrier frequency modulator index - # of extra (dis)harmonic frequencies mix - mix direct signal with effect --- version 1.01, May 2020 - added comments on controllers version 1.0, 2018 - initial version by Menno Knevel, using code from Victor Lazzarini

DESCRIPTION: blue port of the delay-based version of Victor Lazzarini's Adaptive FM Synthesis(AdFM) For more information, please consult the article "Adaptive FM Synthesis" by Victor Lazzarini, Joseph Timoney, and Thomas Lysaght, available at: http://dafx.labri.fr/dafx07_proceedings.html CONTROLLERS: ON/OFF - bypass fc:fm - ratio frequency carrier frequency modulator index - # of extra (dis)harmonic frequencies mix - mix direct signal with effect --- version 1.01, May 2020 - added comments on controllers version 1.0, 2018 - initial version by Menno Knevel, using code from Victor Lazzarini

DESCRIPTION: sound is going through 5 spring-mass systems (mode opcode) and is 'reverberating' on the frequency you set. (Combined with the dry signal,) it produces a resonant body to the sound. CONTROLLERS: ON/OFF - bypass gain - gain for input signal Q - Quality of filter frequency - resonant frequency of the filter dry - direct signal wet - wet (effect) signal --- version 1.11, May 2020 - added comments on controllers version 1.1, february 2019 - set mode ringing in stereo panning version 1, december 2017 - initial version by Menno Knevel - 5 springs to 'color' the incoming sound - wet/dry mixing - comparison switch to quickly check the effect against the direct signal

DESCRIPTION: CrossX is a somewhat strange Blue effect, as all Blue effects have 2 signal inputs and 2 signal outputs. CrossX does have this of course, but if you want to divide an incoming signal into 3 frequencybands, one should have 2 inputs and 6 outputs (= 2 x 3). This is not how the Blue mixer is set up. A workaround is to divide the incoming signal into 3 Subchannels, each with its own CrossX effect. One Subchannel for the Lowpass, one for the Mid, one for the Highpass. Disadvantage is that when you want to change the frequencybands of one of the Crossx effects, you should copy this behaviour so all they all match... The CrossX divides the signal in 3 band spectra: low, mid, high. In the pre-fade of a Blue mixer strip, add 3 sends to 3 different Subchannels. In each Subchannel, put the CrossX and set the checkbox to active for the LOWpass, BANDpass and HIGHpass. The Y axis represnts the amplitude of each band, and the X axis of the 2 windows LOW and HIGH determine the LOWpass frequency cutoff and HIGHpass frequency cutoff. On each of the Subchannel (= spectrumband) it is now possible to add effects or adjust the volume. You can mix the 3 outputs of the Subchannels and its effects together again , for example in a 4th Subchannel, to create different sound textures from one sound source. CONTROLLERS: ON/OFF - bypass LOW/HIGH/BANDpass - frequency band of filter(s) filterdepth - set steep slope of filter(s) XY controllers - set frequency and gain --- version 1.21, May 2020 - added comments on controllers version 1.2, 2019 - XY controller improvements version 1.1, februari 2018 - added filter depth - used modified buttpass UDO from Victor Lazarinni version 1.0 , January 2018 - initial version by Menno Knevel - 3 band spectrum divider - checkbox on/off

a wrapper of ladspa plugin called Audio Divider, created by Steve Harris. Copyright: The GNU General Public Licence. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect for Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: Reduces the period of the signal by the factor given, and makes it a square wave in the process. Has some amplitude tracking capability, but not really useful on complex signals. CONTROLLERS: ON/OFF - bypass File Selector - set path for divider_1186.so Denominator - The factor the incoming frequency will be divided by Mix - mix direct signal with effect Frequency - low pass filter --- version 1.01 - added comments on controllers version 1.0, June 2019 - new GUI and small code adaptations by Menno Knevel - added mixer wet/dry and frequency lowpass filter

a wrapper of ladspa plugin called Audio Divider, created by Steve Harris. Copyright: The GNU General Public Licence. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect for Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: Reduces the period of the signal by the factor given, and makes it a square wave in the process. Has some amplitude tracking capability, but not really useful on complex signals. CONTROLLERS: ON/OFF - bypass File Selector - set path for divider_1186.so Denominator - The factor the incoming frequency will be divided by Mix - mix direct signal with effect Frequency - low pass filter --- version 1.01 - added comments on controllers version 1.0, June 2019 - new GUI and small code adaptations by Menno Knevel - added mixer wet/dry and frequency lowpass filter

a wrapper of ladspa plugin 2149 called TAP Rotary Speaker, created by Tom Szilagyi. Copyright: The GNU General Public Licence. plugin has stereo inputs, stereo outputs. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: Emulates the effect of Rotor and Horn (Leslie) CONTROLLERS: ON/OFF - bypass File Selector - set path for tap_rotspeak.so Rotor Frequency - speed of rotation of the rotor Horn Frequency - speed of rotation of the horn Mic Distance [%] - adds some reverb or space Rotor/Horn Mix - balance of Rotor and Horn sound --- version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

DESCRIPTION: 2 instances of the wguide2 opcode is implemented in parallel. It provides the incoming signal with 'air' or 'breathe'. stereo in, stereo out. CONTROLLERS: ON/OFF - bypass fequency 1/2 - the frequency (i.e. the inverse of delay time) filter 1/2 - the filter cutoff frequency in Hz feedb - the feedback factor mix - mix direct signal with effect --- version 1.11, May 2020 - added comments on controllers version 1.1, April 2020 - coding improved, now stereo version 1.0, July 2019 - initial version by Menno Knevel

DESCRIPTION: Envelopers imposes ADSR envelopes on the incoming signal. All controllers are automatable. Based on UDOs from Steven Yi CONTROLLERS: ON/OFF - bypass speed - frequency of imposed envelopes attack/decay/sustain/release - those parameters can be changed at k-rate mix - mix direct signal with effect --- version 1.0, May 2020 - initial version by Menno Knevel

Reverb using reverbsc opcode

A wrapper for the freeverb opcode. by Brian Wong, 2010

Author: Atte André Jensen (atte.dk), 2008 Multiplies the input with "gain"... Changelog: 1.0 * Initial release

Author: Atte André Jensen (atte.dk), 2008 Loops part of audio stream on demand. Should be used with automation. If the value of "Beat Fraction" is 0, nothing is looped. If set to anything else, that fraction is repeated. Example. Assuming the following automation graph for "Beat Fraction" | | | |----| <- Beat Fraction = .25 Beat Fraction = 0 ->|----|----|----| | This will play the stream unmodified for 3 beats. Then on beat 4 the first 1/16 (since a 1/16 is 25% the length of a beat (1/4)) of that beat is repeated four times untill beat 5 Changelog: 1.1 * Runs at krate 1.0 * Initial release

Author: Atte André Jensen (atte.dk), 2008 Emulates the effect of resampling without applying lowpass filtering first. Changelog: 1.1 * Frequency off by a factor 2.... 1.0 * Initial release

Author: Atte André Jensen (atte.dk), 2008 Makes a stereo signal out of a mono signal by damping different bands in each channel. Changelog: 1.0 * Initial release

Author: Atte André Jensen (atte.dk), 2008 Put this first in your pre-fader effect section to get rid og denorm problems Changelog: 1.0 * Initial release

Author: Atte André Jensen (atte.dk), 2008 Mixer channel strip with 5 parametric eq's all capable of peak, hi shelve, and lo shelve, phase inverter, pan and gain. Changelog: 1.0 * Initial release

Author: Atte André Jensen (atte.dk), 2008 Filter sweeper, with automatic sync to tempo and user drawable sweep graph. Changelog: 1.0 Initial release

The Newtonator is an FSU distortion unit of my own design that is more than capable of mangling the input audio beyond recognition. It is also capable of more subtle distortion, and can act as a low-pass filter with the correct settings. Please read the comments for instructions.

Author(s): * Based on code by Perry Cook * Additional lines + stereo capability by Atte André Jensen * Originally adapted to BSB by Steve Yi from code posted by Atte Andre Jensen to the Csound Mailing List on May 1, 2006 * Depth, min/max frequency widgets added by Atte André Jensen The chorus consists of 2x6 delay lines, with random LFO frequency between min/max lfo frequency. Note: The input is mixed to a mono signal before fed into the chorus. This means that although the output is stereo, any stereo information (such as panning) in the input signal is lost in the chorused signal.

Simple effect based on the waveguide1 op

Tempo synced delay

Effectively downsamples the signal by a given factor. This effect is automatable.

Dual delay-line modulators, producing effects from subtle chorus to full-on distortion.

blue port of the delay-based version of Victor Lazzarini's Adaptive FM Synthesis(AdFM) For more information, please consult the article "Adaptive FM Synthesis" by Victor Lazzarini, Joseph Timoney, and Thomas Lysaght, available at: http://dafx.labri.fr/dafx07_proceedings.html

blue port of the heterodyning version of Victor Lazzarini's Adaptive FM Synthesis(AdFM)

spectral "cross filtering" using Victor Lazzarini's pvsfilter.

stereo ring modulation with drawable waveform.

spectral arpagiator using Victor Lazzarini's pvsarp.

Spectral filtering using Victor Lazzarini's pvsmaska..

spectral freezing using Victor Lazzarini's pvsfreeze.

spectral blurring effect using Victor Lazzarini's pvsblur

spectral smoothing using Victor Lazzarini's pvsmooth

pitch scale and spectral shifting using Victor Lazzarini's pvshift and pvscale.

vocoding using Victor Lazzarini's pvsvoc.

Granularize a stereo signal using the grain3 opcode.

Simple distort1 based distortion.

ringmod

A simple filtered feedback delay

FLFO controls frequency of the phaser. SLFO controls separation of the peaks.

This compressor introduces a look-ahead delay of 0.05s which you should compensate for with an artificially added delay to all the tracks that dont have compression on. Based around compress opcode. Switchable peak/RMS compression (if you can tell the difference).

Enter in a short description of your effect.

Experimental distortion unit of my own design that sharpens all curves in a waveform.

EQ via pareq opcode.

Distortion via the distort opcode, with user-drawable waveshape function.

Resonates a signal via the streson opcode.

Distortion using variable delay line modulated by input signal+feedback.

Ugly distortion effect I came up with, based around square-wave ring modulation and multiple delay lines (now automatable).

Distortion with the distort1 opcode (now automatable).

Filter with the moogvcf opcode (now automatable).

Advanced Reverb by Eric Lyon

Leslie Rotary Cabinet Emulation (translation to blue Effect of original by Hans Mikelson)

Compressor using dam opcode.

High or lowpass filter with tone or atone, optionally stacked using tonex or atonex.

Filter with the lpf18 opcode.

Clipping with the clip opcode.

Straight-forward Schroeder reverb. Comb filter times are multiples of one input; each allpass delay configurable. Pretty much by the book.

8 step, tempo-synced chopper/trance gate

Convolution Reverb based on pconvolve opcode

Simple tempo-synced stereo delay ("echo") effect. Implements ping-pong mode as well.