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DESCRIPTION: Doubles the incoming signal, with random option Flanging sounds are possible. It 'thickens' the incoming signal and can add some randomness in timing of the doubled signal. This creates some livelyness. Panning of the doubled signal can be set, so it can be used as a virtual stereo effect as well. --- version 1, August 2021 - initial version

DESCRIPTION: MultiTap contains 6 taps in the delay line. Delay Time can be set in milliseconds. The 6 delay taps are relative to the Delay Time. Can be used to stereophonize mono sounds by low delay settings. CONTROLLERS: ON/OFF - bypass max delay time - max delay time in ms delay% x 6 - percentage of max delay time gain x 6 - gain of every delay section pan x 6 - panning of every delay section shrink all delay time % - the total of ALL delays can be shrunk with one slider wet/dry - mix direct signal with effect feedback - amount of feedback for ALL delay lines, in mono --- version 1.3, April 2021 - added .001 sec to delay (was bug) version 1.22, July 2020 - added BSB information comments version 1.21, May 2020 - added comments on controllers version 1.2, April 2020: - added total percentage slider for delay time version 1.0, january 2019: - initial version by Menno Knevel - 6 x relative delay taps with gain intensity and panorama settings - 1 overall feedback

DESCRIPTION: loopit! consists of 3 looper units. When triggered, the incoming signal is sampled in 3 different looper units. This produces interesting patterns, using the timbres of the incoming stereo signal. CONTROLLERS: ON/OFF - bypass loop 1/2/3 - activate looper section 1, 2 , 3 trigger - when set to 1, the opcode starts recording until the loop memory is full. It then plays the looped sound until it is switched off again (ktrig = 0) looptime - loop duration in seconds pitch - pitch control (transposition ratio); negative values play the loop back in reverse loop - gain of each looper section direct - mix direct signal with effect --- version 1.33, December 2020 - changed volume of effect mix (lower) - if not triggerd, no direct signal is mixed in. version 1.32, July 2020 - added BSB information comments version 1.31, May 2020 - added comments on controllers version 1.3, November 2019 - changed mix direct/effect version 1.2, September 2019 - for mixing effect/direct, changed to only 1 direct signal gain version 1.1, May 2019 - for mixing effect/direct, changed to only 1 direct signal gain version 1.0, May 2019 - initial version by Menno Knevel - 3 independent looper units - each unit has a mix with incoming signal - time of loop can be retriggerd while playing

DESCRIPTION: cutit! chops the incoming signal into bits. It is a wrapper of the bbcut opcode but the values can be changed while playing. CONTROLLERS: ON/OFF - bypass beats per sec. - Tempo to cut at, in beats per second subdivision - Subdivisions unit, for a bar. So 8 is eighth notes (of a 4/4 bar) barlength - How many beats per bar. Set to 4 for default 4/4 bar behaviour phrasebars - The output cuts are generated in phrases, each phrase is up to iphrasebars long # repeats - in normal use the algorithm would allow up to one additional repeat of a given cut at a time. This parameter allows that to be changed. Value 1 is normal- up to one extra repeat. 0 would avoid repeating, and you would always get back the original source except for enveloping and stuttering. Dropdown List - envelope of cuts, ie. exponential or rectangular mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers Version 1.0, July 2019 - initial version by Menno Knevel

Using extreme settings can be demanding for CPU load!! DESCRIPTION: The paulstretch opcode is a lightweight implementation of the PaulStretch time-stretching algorithm by Nasca Octavian Paul. It is ideal for timestretching a signal by very large amounts. Large settings for the table buffer results into the well know massive Paulstretch sound, that lasts well beyond the incoming signal's length. The stretch factor is a scaling factor of the Object, so if an Object = 5, the stretch factor = 5, the total of stretch and smear will have a total length of 25. CONTROLLERS: ON/OFF - bypass stretch - Stretch factor in seconds. The value scales/stretches the incoming signal window size capture - take in humps of the incoming signal, in seconds fill table - choose table size pitch - multiplies the pitch, 1 = neutral pitch effect - gain of the effect direct - gain of direct signal equalizer on/off - switch for equalizer high - sets frequency high pass and boost for that frequency mid - amount of gain for mid range frequencies bass - amount of gain for low end range --- version 1.01, July 2020 - added BSB information comments version 1.0, June 2020 - initial version by Menno Knevel

DESCRIPTION: cutitTWO! chops the incoming signal into bits. It is based upon the bbcutm and bbcuts opcode but the values can be changed while playing. cutitTWO! has 2 independent sections for complex pattern creations. There is a seperate checkbox for the 2nd cutter. CONTROLLERS: ON/OFF - bypass beats per sec. - Tempo to cut at, in beats per second subdivision - Subdivisions unit, for a bar. So 8 is eighth notes (of a 4/4 bar) barlength - How many beats per bar. Set to 4 for default 4/4 bar behaviour phrasebars - The output cuts are generated in phrases, each phrase is up to iphrasebars long # repeats - in normal use the algorithm would allow up to one additional repeat of a given cut at a time. This parameter allows that to be changed. Value 1 is normal- up to one extra repeat. 0 would avoid repeating, and you would always get back the original source except for enveloping and stuttering. Dropdown List - envelope of cuts, ie. exponential or rectangular stereo - mono uses 2 independent effects, while stereo work on both channels 2 Checkbox - activate second cutter mix - mix direct signal with effect --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers Version 1.0, July 2019 - initial version by Menno Knevel

a wrapper of ladspa plugin 2154 called Tap Reflector, created by Tom Szilagyi. Licensed under GNU General Public License, version 2. plugin has mono input, mono output. The dssi opcodes are wrapping the ladspa plugin so it can be used as an effect in Blue. The PATH for the ladspa plugins on my Linux systemm is /usr/lib/ladspa. Be sure to set the right PATH if you run OSX or Windows. DESCRIPTION: This plugin creates a psychedelic reverse audio effect. Overlapping time intervals of incoming samples are treated as blocks called 'fragments'. Each fragment is reversed in time, and faded in and out while played back to the output, hence creating a nearly constant signal level with the mixture resembling a normal reverse-played track -- with the difference that the audio actually progresses forward, only pieces of it are reversed. CONTROLLERS: ON/OFF - bypass File Selector - set path for tap_reflector.so Fragment Length - length in ms Dry Level - amount of direct signal in dB RT-low - level of effect in dB --- version 1.02, July 2020 - added BSB information comments version 1.01, May 2020 - added comments on controllers version 1.0, June 2019 - initial version by Menno Knevel

Using extreme settings can be demanding for CPU load!! DESCRIPTION: The paulstretch opcode is a lightweight implementation of the PaulStretch time-stretching algorithm by Nasca Octavian Paul. It is ideal for timestretching a signal by very large amounts. Large settings for the table buffer results into the well know massive Paulstretch sound, that lasts well beyond the incoming signal's length. The stretch factor is a scaling factor of the Object, so if an Object = 5, the stretch factor = 5, the total of stretch and smear will have a total length of 25. CONTROLLERS: ON/OFF - bypass duration - Stretch factor in seconds. The value scales/stretches the incoming signal window size capture - take in humps of the incoming signal, in seconds fill table - choose table size pitch - multiplies the pitch, 1 = neutral pitch effect - gain of the effect direct - gain of direct signal equalizer on/off - switch for equalizer high - sets frequency high pass and boost for that frequency mid - amount of gain for mid range frequencies bass - amount of gain for low end range --- version 1.0, June 2020 - initial version by Menno Knevel

Author: Atte André Jensen (atte.dk), 2008 Loops part of audio stream on demand. Should be used with automation. If the value of "Beat Fraction" is 0, nothing is looped. If set to anything else, that fraction is repeated. Example. Assuming the following automation graph for "Beat Fraction" | | | |----| <- Beat Fraction = .25 Beat Fraction = 0 ->|----|----|----| | This will play the stream unmodified for 3 beats. Then on beat 4 the first 1/16 (since a 1/16 is 25% the length of a beat (1/4)) of that beat is repeated four times untill beat 5 Changelog: 1.1 * Runs at krate 1.0 * Initial release

Tempo synced delay

A simple filtered feedback delay

Simple tempo-synced stereo delay ("echo") effect. Implements ping-pong mode as well.