Browse BlueShare Catalog

DESCRIPTION: Partikkulary is a wrapper for the partikkel opcode, and more.... The opcode is designed to stretch granualtion methods to the limit. - there are 4 samples as input to granulate. - these 4 samples can be mixed - the endresult has an amplitude envelope and ADSR note examples: i2 0 0.8 60 1.0 ; P4 = midi value, P5 = amplitude i2 0 0.2 261.625565 1.0 ; P4 = frequency, P5 = amplitude CONTROLLERS: see the help balloon when hovering over the controllers in the instrument. Help can be turned off by pressing the 'I' button next to the play bar. --- version 1.1, October 2020 - added filter, that allows key follow and amp follow - allows switching between Midi pitch/frequency mode

The Evolver instruments are created because i was looking for string/pad sounds and textures that could evolve in time, with (small or radical) variations in timbre. The instruments are of a modular design, built with ftmorf as a basis module; so you can stream fluidly from one timbre to another within a single note. Other standard modules in these instruments are: Phaser, Swell, Output. The Evolver Type G uses the grain3 opcode. The G in the name represents 'grain3'. scheme: FTMORF ---------GRAIN3--------(PHASER)--------(SWELL)-------OUTS I l I (LFOs for phasing) I ( LFOs for deviation ) version 1.1, december 2017 - added Arpeggio module (UDO) version 1, december 2017 - choose from a list of timbre presets - evolve from one timbre to another up to 16 sounds, forwards or backwards - scale fuction to scale wavesequencer sounds over the note - determine where to start the scaling in the note - morphing can also be done manually by drawing an Automation Line (wavedraw) - mono or stereo with setting different seed values with XY controller for Left and Right channel - optional dirt gives the deviation pitch irregular accents - phaser effect implemented with on/off switch and mixing, lots of options to slowly evolve the timbre even more - Swell for amplitude to give an amp accent in the note - exp or linear envelope score in Generic Object may look like: i1 0 2 190 1 where p4 = freq p5 = amp (0-1)

This is a port of Oeyvind Brandtsegg's partikkelFLTK instrument, created to experiment with his opcode partikkel . This BSB takes live midi input from external midi controler devices and is capable to record midi messages as automations and play them back. It also remembers the last midi fader positions before the performance ended, the same positions are initialised on the next performance. In order to be able to run this instrument you first need to create a plain text file in the same directory where your blue project resides and call it "midinit" (no extensions), and copy and paste the lines below in it. ======= TABLE 10001 size: 16 values ====== flen: 16 lenmask: 15 lobits: 20 lomask: 1048575 lodiv: 0.000001 cvtbas: 0.000000 cpscvt: 0.000000 loopmode1: 0 loopmode2: 0 begin1: 0 end1: 0 begin2: 0 end2: 0 soundend: 0 flenfrms: 16 nchnls: 1 fno: 10001 gen01args.gen01: 0.000000 gen01args.ifilno: 0.000000 gen01args.iskptim: 0.000000 gen01args.iformat: 0.000000 gen01args.channel: 0.000000 gen01args.sample_rate: 0.000000 ---------END OF HEADER-------------- 127.000000 60.000000 0.000000 0.118581 0.001016 0.000000 0.000000 24.000000 69.000000 35.000000 0.000000 0.000000 70706400890471310414389826289664.000000 0.000000 0.385827 0.000000 0.000000 ---------END OF TABLE---------------

FOF instrument for soprano voice, using formant values from Csound manual

FOF instrument for countertenor voice, using formant values from Csound manual

FOF instrument for alto voice, using formant values from Csound manual

FOF instrument for tenor voice, using formant values from Csound manual

FOF instrument for bass voice, using formant values from Csound manual

Granular synthesis of evolving saw wave